If The Wonder Years – completed by guitarists Matt Brasch and Casey Cavaliere, drummer Mike Kennedy, bassist Josh Martin and keyboardist/multi-instrumentalist Nick Steinborn – could get away with a six-word bio, they probably would. As it happens, when it comes to 'The Hum Goes On Forever', context is important, which is why you’re reading these words. The most important reason is that this is the first record the band has made since Campbell became a father. And so, when he sings its very first words – "I don’t want to die" – on its very first song, 'Doors I Painted Shut', they shimmer with a little extra poignancy and potency. Because as someone who has sung candidly about how despondent he’s felt at times, thoughts of unexistence are no longer possible.

That, then, is the crux of this record: his survival is more important than it ever was before. Quite simply, he doesn’t have a choice. Rather, he has to press on against the noise that’s been inside his brain for as long as he can remember. That’s what the ‘hum’ of this album’s title is. It is, he says, a representation of the gloom he tends to carry with him. 'The Hum Goes On Forever', then, is the sound of The Wonder Years navigating those dark, cold waters, bringing that ever-present pulse in the back of Campbell’s mind to vivid life, while also pushing it as far back into his skull as it will go.

It’s the kind of effect that’s only achievable through true collaboration and understanding, something that defines how the band has operated from its inception. The six-piece wrote the bulk of these songs in a farmhouse in the middle of Pennsylvania in the winter of 2021.The result is a record that captures the taught, fraught uncertainty of the period in which they were written, but also travels back in time and memory to uncover and dwell on and inhabit leftover remnants of the past.

It serves, too, as a revealing representation of how the six lives that constitute The Wonder Years interact with each other. That happens both inside and outside of the band, obviously, but in terms of the former, they’ve all grown together immensely as musicians. It means the band knows when to be restrained and when to explode, filling in space and emptiness as needed to create a record that mirrors, sonically, the heart-torn urgency at its core, the way these six individuals interact with each other, each an essential component of a greater whole - as well as the next evolution of a band that’s never stopped growing, never stopped striving, never stopped searching for the truth and the heart of this dumb thing we call life.

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